Helen Goodman: I am grateful to the right hon. Gentleman for his support; I know that he has spoken about this matter in our region.
	This is an important day, because the pictures have historical significance. Francisco de Zurbaran was a Spanish counter-reformation painter whose paintings can be seen across the world. I went to Chartres in the new year and saw one of his paintings there. Of course, it was in the bishop's residence. The collection in Auckland castle is particularly special because 12 of the 13 paintings belong together. The series is known as Jacob and his 12 sons. The long dining room at the castle was specially modified to hold the pictures.
	Bishop Trevor, who bought the pictures, had previously lived in Downing street, but he became Bishop of Durham in the middle of the 18th century. He did a lot of work at Auckland castle. He built a deer house, which probably meant that the deer were better housed than the tenants at that time, and he bought those fantastic pictures. It is believed that he did that out of solidarity with the Jewish community. Like all the Anglican bishops, he supported the legislation to extend the civil rights of the Jewish community, and he preached on the suffering of those in the Jewish diaspora. When the so-called Jew Bill was repealed by the Tories, the bishop bought the pictures and hung them in the long dining room at Auckland castle.
	The director of the British Museum, Neil MacGregor, who had the paintings displayed in London in 1994, has called them the
	"first multicultural document of Britain".
	That is why, if these paintings had been lost, moved or exported, it would have been a loss not only to the town of Bishop Auckland and our region, but to the nation. That is why I am extremely grateful to Jonathan Ruffer for his extraordinary generosity, which has enabled the establishment of a trust that will keep the paintings in the castle in perpetuity.
	I would like to ask the Second Church Estates Commissioner, the hon. Member for Banbury (Tony Baldry), if he has any more details about the objects of the trust or who the trustees might be. Does he know how many of the priests employed through the money that Mr Ruffer donated will be in the Durham diocese?
	The research undertaken by John McDonnell, QC, in recent months has shown that Bishop Trevor undoubtedly intended the pictures to stay at Auckland castle. As a result of this development, the legal issues surrounding the pictures will not be tested at this juncture. I want to note, however, that the case for incorporating the pictures as part of the grade I listing at Auckland castle still stands.
	I want to pay particular tribute to Bob McManners, who is the chair of the Bishop Auckland Civic Society. He wrote a book about the history of the paintings and it turned out to be a fantastically valuable campaigning tool, which played a vital part in the success of this campaign.
	The importance of inter-faith dialogue has obviously grown in the last 250 years, while our understanding of the difficulties and dilemmas of building a successful multicultural society has also developed. As well as having the paintings in Auckland castle as a symbol of commitment to inter-faith dialogue and multiculturalism, I hope there will also be space to allow people of all different faiths to meet together.
	The land on which Auckland castle stands was gifted by King Canute to the Church. I particularly like this detail, because my mum, who is Danish, comes from the same village as King Canute. Since 1138, the bishops of Durham have made Auckland castle their first residence. Over the years, the bishops of Durham grew in power and authority, and temporal power backed up spiritual power. County Durham was the last place in England to send Members of Parliament to Westminster. Some people think that politics in our area is still somewhat behind that of the rest of the country!
	What will attract people to visit the castle is not just its very interesting history, as the main reason people will come is that it is in a fantastically beautiful spot. Auckland castle is a Gothic building, with probably the largest private chapel in Europe, and it is situated in beautiful park land on a wooded promontory overlooking the river Wear.
	The partnership proposed between Durham county council and the National Trust is a really positive development, alongside the generous donations of other individuals and other institutions. Another question for the Second Church Estates Commissioner is whether the Church Commissioners will be open to the possibility of involving other people in the partnership. I am thinking, in particular, of the contribution that the World Monuments Fund might be able to make.
	I had originally thought that the Second Church Estates Commissioner rather than the Under-Secretary of State for Culture, Olympics, Media and Sport, the hon. Member for Wantage (Mr Vaizey), would respond to this debate. I hope that the Minister is in his place to tell us that the Department for Culture, Media and Sport is going to make a financial contribution as well as a moral one, so I look forward to hearing what he has to say.
	The attraction of this project is that it is multi-layered: it is of historic interest, religious interest and artistic interest. Particularly exciting is the offer made by the director of the National Gallery, Dr Nicholas Penny, to lend paintings to Auckland castle so that we can turn it into an artistic centre.
	For the people of Bishop Auckland this is obviously a question of identity, but it also presents a great opportunity to regenerate a town that has suffered significantly in recent years. Unemployment has been high, and several of our wards are among the 10% that are the most deprived in the country. It is easy to underestimate the number of jobs that can be created from tourism because they are generally in small businesses, but there are already 12,000 such jobs in County Durham, and tourism brings in £650 million a year. I am sure that we can we build on that. It would be fantastic if we could create a trail from Lindisfarne down through Jarrow to Durham and on to Bishop Auckland, repeating the journey of St Cuthbert's shrine.
	I want to thank many people for contributing to today's happy outcome, not least the Second Church Estates Commissioner-as well as the secretary to the Church Commissioners, whom I see sitting in the Box. They came to Bishop Auckland in the snow, they pushed my car, and they listened to what was said by people in Woodhouse Close about why they wanted to hold on the paintings and have public access to the castle.
	I thank my parliamentary colleagues in both Houses for their support, and I thank Durham county council, which has done a great deal of work but has a great deal more to do. I thank people throughout the country who have written to us and prayed for us. I thank Barbara Longett, Margerie Kellett, Ann Golightly and the many others who organised the petition. Most of all, however, I thank my constituents for defending their heritage so staunchly. After 900 years a Bishop of Durham will still live at the heart of our community, which is fantastic, because you can't take the Bishop out of Bishop Auckland.